Kashmir Lit

online journal of Kashmiri and diasporic writing
Home     About Us     Contact Us     Contributions     Archive      

Poems by Meenakshi Watts

 

I Was Seventeen When You Were Writing of Kashmir Burning

(In memory of Agha Shahid)

 

It still burns.

 

This must be a seed planted in Raj Bagh,

under the ‘One Inch Himalayas'

On a summer afternoon in your father's   house.

Our parents stood around with old times

laughing and lost in shared memories

and  sons that came back to make them proud.

 

The warm sun outside came held loosely in your stance.

Tea with friends, you said, too much   mathi and pickle.

Two things that afternoon left intact through later years,

your autograph , [ prized now, when you are gone.]

And the words, of a poet who read and said,' keep writing'

That was the last summer I returned.

 

Twenty years since that hazy fragrance

of summer flowers has been singed with

the agony of  a home being slowly lost. It writes itself,

stealing into Zero bridge and  Pampore

In A Floating Post Office  met two years back by accident

Your voice came back to reach into unfinished poets

 

Of the Valley, finding words on the tips of tongues and fingers

That had longed to be said. Saffron fields and dadi's aromatic kitchen

have walked somehow , all the way from that sunny afternoon

of many poetic lives into  places other than abstract  eyes.

They nudge me, everyday, write! let the world know !

There was a time when smiling hearts rowed all day on the Dal..

Or went looking for the fairies of  Pari Mahal.

And counted autumn fires in golden Chinars .

Children ran around in little phirens in the snow,

making the Dal seem like a big flat white world

outside of which, none existed .

Nightmares did not exist, or at least we thought so.

 

Though they say the youth in today's Kashmir,

fed on blood and strife don't fear death

What we remember and lost is a song of life,  Sufi strains

and Shiva's  chants .

Your nightmare of a Kashmir emptied

of Kashmiri Pandits has come true, Shahid! It has come true!

 

Let me die too, or die again, and find a window that opens

 

Back into the green -gold roads of goat's eyes

shining bright in full moon nights

And perhaps find, a street full of happy Kashmiris

selling Pashmina shawls  and calling out, ‘vaarey?'

Handsome men and beautiful women,

Of the land once called, Paradise.

 

The roads full of summer tourists, buying

walnuts and crewel embroidery

While chinars reach the sky and we wait for chestnuts in October.

Or maybe find friendly strangers stopping school buses

with ‘Tahar'  laden hands.

And a shepherd sitting at the entrance of  Amarnath cave.

As he always has.

 

The mourning has not ceased since you left,

though we waited half our lives

 

Waiting for that dream to re-awaken.

 

 ***************************************

Meenakshi Watts is an artist and a poet. Her book Crystal Clear was published in 2007 with the WRITERS WORKSHOP, CALCUTTA.

 

 

Locks in the Mirror

 

If you are a pregnant door that holds all answers

to my  questions ,

I will unlock your billowing shapes and unzip your lips.

But, a voice in my head warns,

‘You are the mirror image of what you see in others.’

 

So tell me, what doors of yours have I locked?

I want to feel these locks; do they have keys?

Old keys like the ones we saw in decrepit Shekhawati havelis?

Where men lived, left or died; leaving a pall of untimely endings.

Memories pegged to nails hang, just like they did before.

New locks on the doors seal and divide

the air  of a lost land amongst distressed and  absent  members

who claim kinship to these crumbling structures.

I feel the rusty taste of old iron locks on my tongue

each time we walk past each other, the air between us heavy .

 

 We take care not to  cross verbal lines,

not  negotiating the spaces between us.

 

 

 

~

*Havelis ~ old sprawling bungalows

*Shekhawat ~ called the ‘ghost town’ of Rajasthan because the rich , affluent traders left the city for Bombay and never returned. The richly decorated, unattended houses are falling apart; scavengers sell things stolen from such houses as ‘genuine antiques.’